'It is the first recording that actually captures the many facets of the group's sound in all of its strange and evocative beauty, and there is a lot to take in here. The album's sidelong opening number "Linda" serves as a Rosetta Stone of sorts: A procession of strings, percussion, marimba and standard-issue rock music instruments twist and turn together in a barrage of simple, wide-eyed, and meticulously orchestrated moments, all played as loudly as possible. All are reined in around solid rhythms and disciplined improvisation. The song wanders a gamut of musical styles: modern classical, mathematical arrangements, and prog. rock complexities that meld together to form a singular aesthetic forged by the hive-mind of all nine members of the group.
The four songs that make up the LP were recorded immediately following a three-week tour last spring. The group's time on the road helps shape the musical details that come together here with exquisite detail. There are moments of chaos strewn throughout "John," "Augur," and "Dave," but they are merely components of a larger and intangible whole. Getting a handle on these conceptual qualities is no easy task. Because of the music's fluid and nebulous nature, it stands to reason that the record's narrative nature, abstract though it may be, probably mean something entirely different to each of the group's nine members. As such, there seems to be no single and direct narrative here beyond the music is itself. That's OK, though. The music is what cements Faun and a Pan Flute's connections to Atlanta's fertile experimental music scenes of decades past, with a new generation's stylistic take on a sound that's not quite modern classical, but acknowledges the influence, while settling into the grooves that emanate from the outer limits. With one deft statement, Faun and a Pan Flute's self-titled LP pushes the group's impressive compositional skills to a grand scale with an organic merger of styles that's anything but a difficult first proper record.'
Includes unlimited streaming of Faun and a Pan Flute s/t via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
released August 8, 2014
engineered, recorded and mixed by Benjamin Price at Studilaroche
Adam Babar - guitar
Daniel Bailey - fretless bass
Daniel Betts - drums
Chris Childs - marimba
David Gray - guitar
John Gregg - percussion
Julian Hinshaw - tuba/keys
Ben Shirley - cello
Peter Webb - alto sax
supported by 5 fans who also own “Faun and a Pan Flute”
thumbs & perfect hair are drivers "opus" after almost 2 decades of making some of the quirkiest most left field hip hop around ,he came through with these two masterpieces . the beats u find here are electronic & glitchy in nature, which makes a perfect landscape for drivers off kilter delivery & political tone . I have to say I was not always a fan of driver but these two albums have made me a fan for life . I will be checking out new work from him for now own ... PS. if u want a physical of "thumbs" this is the only place I've seen it for sale , so cop that shit ! addicted-2-booombap